A piacere :(gi\u1ed1ng nh\u01b0 ch\u1eef “ad libitum”), di\u1ec5n t\u1ea3 t\u1ef1 do
\nA tempo :Tr\u1edf v\u1ec1 nh\u1ecbp v\u1eadn c\u0169
\nAcelerando, accel.: H\u00e1t d\u1ea7n d\u1ea7n nhanh h\u01a1n
\nAd libitum, ad lib :Cho ph\u00e9p ng\u01b0\u1eddi h\u00e1t d\u00f9ng tempo (nh\u1ecbp v\u1eadn) t\u00f9y \u00fd (c\u00f3 hay kh\u00f4ng c\u00f3 nh\u1ea1c \u0111\u1ec7m). :\u0110\u1ed3ng ngh\u0129a v\u1edbi ch\u1eef “A piacere”
\nAdagio Ch\u1eadm, ch\u1eadm h\u01a1n andante, nhanh h\u01a1n largo
\nAddolorado Very Happyi\u1ec5n t\u1ea3 s\u1ef1 bu\u1ed3n s\u1ea7u
\nAffrettando :H\u00e1t nhanh (hurry) l\u00ean
\nAgilmente :H\u00e1t m\u1ed9t c\u00e1ch s\u1ed1ng \u0111\u1ed9ng
\nAgitato :H\u00e1t m\u1ed9t c\u00e1ch truy\u1ec1n c\u1ea3m (excitement)
\nAl Coda :T\u1edbi ch\u1ed7 Coda (\u0111o\u1ea1n k\u1ebft b\u00e0i)
\nAl Fine :T\u1edbi ch\u1ed7 k\u1ebft
\nAl segno :Tr\u1edf v\u1ec1 ch\u1ed7 d\u1ea5u hi\u1ec7u Dal segno (c\u00f3 d\u1ea1ng ch\u1eef S)
\nAl, all\u2019, alla, alle :”t\u1edbi, tr\u1edf v\u1ec1” (to), th\u00ed d\u1ee5: al Fine (t\u1edbi ch\u1ed7 k\u1ebft)
\nAlla breve Cut time (nh\u1ecbp 2\/2)
\nAllargando, allard :H\u00e1t ch\u1eadm d\u1ea7n l\u1ea1i nh\u01b0ng to d\u1ea7n l\u00ean, th\u01b0\u1eddng x\u1ea9y ra l\u00fac k\u1ebft b\u00e0i h\u00e1t.
\nAllegretto :Ch\u1eadm h\u01a1n Allegro
\nAllegro :H\u00e1t v\u1edbi nh\u1ecbp v\u1eadn nhanh, vui v\u1ebb
\nAlto :Gi\u1ecdng th\u1ea5p nh\u1ea5t c\u1ee7a b\u00ean n\u1eef (\u0111\u00f4i l\u00fac c\u00f3 th\u1ec3 d\u00f9ng b\u00e8 tenore m\u1ed9t (cao) \u0111\u1ec3 h\u00e1t cho b\u00e8 n\u00e0y. Trong string family th\u00ec alto c\u00f3 ngh\u0129a l\u00e0 \u0111\u00e0n “viola”.
\nAncora: L\u1eadp l\u1ea1i
\nAndante :H\u00e1t v\u1edbi nh\u1ecbp v\u1eadn v\u1eeba ph\u1ea3i (moderate)
\nAnimato :H\u00e1t s\u1ed1ng \u0111\u1ed9ng
\nAppassionato :H\u00e1t m\u1ed9t c\u00e1ch say s\u01b0a (impassioned)
\nArpeggio :R\u1ea3i
\nArpeggio :\u0110\u00e1nh \u0111\u00e0n theo ki\u1ec3u r\u1ea3i n\u1ed1t.
\nBaritone :Gi\u1ecdng trung b\u00ecnh c\u1ee7a b\u00e8 nam (gi\u1eefa tenore v\u00e0 basso). H\u1ea7u h\u1ebft ng\u01b0\u1eddi Vi\u1ec7t Nam ch\u00fang ta c\u00f3 gi\u1ecdng n\u00e0y.
\nBass :Gi\u1ecdng th\u1ea5p nh\u1ea5t c\u1ee7a b\u00e8 nam.
\nBaton :C\u00e1i \u0111\u0169a nh\u1ecbp c\u1ee7a Ca tr\u01b0\u1edfng
\nBis :L\u1eadp l\u1ea1i 2 l\u1ea7n (Encore!)
\nCaesura :Im b\u1eb7t ti\u1ebfng (d\u1ea5u hi\u1ec7u: \/\/)
\nCalmo, calmato :Im l\u1eb7ng
\nCannon ;Hai b\u00e8 \u0111u\u1ed5i nhau (counterpoint) m\u00e0 b\u00e8 sau l\u1eadp l\u1ea1i gi\u1ed1ng nh\u01b0 c\u1ee7a b\u00e8 tr\u01b0\u1edbc.
\nCanon :Hai b\u00e8 \u0111u\u1ed5i nhau (counterpoint) m\u00e0 b\u00e8 sau l\u1eadp l\u1ea1i gi\u1ed1ng nh\u01b0 c\u1ee7a b\u00e8 tr\u01b0\u1edbc.
\nCarol :B\u00e0i h\u00e1t m\u1eebng Ch\u00faa Gi\u00e1ng Sinh
\nCoda Razzh\u1ea7n k\u1ebft c\u1ee7a b\u00e0i h\u00e1t, th\u01b0\u1eddng vi\u1ebft th\u00eam v\u00e0o \u0111\u1ec3 k\u1ebft.
\nCol, coll\u2019, colla :C\u00f3 ngh\u0129a l\u00e0 “v\u1edbi”
\nCon :H\u00e1t “v\u1edbi”
\nCon brio :H\u00e1t v\u1edbi t\u00e2m t\u00ecnh (spirit)
\nCon calore :H\u00e1t v\u1edbi s\u1ef1 \u00e2n c\u1ea7n, nhi\u1ec7t t\u00e2m (warmth)
\nCon intensita :H\u00e1t v\u1edbi s\u1ef1 m\u1ea1nh m\u1ebd, ki\u00ean c\u01b0\u1eddng (intensity)
\nCon moto :H\u00e1t v\u1edbi s\u1ef1 chuy\u1ec3n \u0111\u1ed9ng (motion)
\nCon spirito :H\u00e1t v\u1edbi t\u00e2m h\u1ed3n
\nContra T\u1ea5u, :h\u00e1t m\u1ed9t octave b\u00ean d\u01b0\u1edbi b\u00ecnh th\u01b0\u1eddng
\nCrecendo :H\u00e1t d\u1ea7n d\u1ea7n to l\u00ean
\nDa capo, D.C :Tr\u1edf v\u1ec1 t\u1eeb \u0111\u1ea7u
\nDal :C\u00f3 ngh\u0129a l\u00e0 “t\u1eeb ch\u1ed7…”
\nDal Seno, D.S :Tr\u1edf l\u1ea1i t\u1eeb ch\u1ed7 c\u00f3 d\u1ea5u sdno (gi\u1ed1ng ch\u1eef S)
\nDecrescendo :H\u00e1t nh\u1ecf, \u00eam d\u1ea7n l\u1ea1i (\u0111\u1ed3ng ngh\u0129a v\u1edbi diminuendo)
\nDelecato :M\u1ed9t c\u00e1ch kh\u00e9o l\u00e9o (delicately)
\nDiminished :Gi\u1ea3m g\u1ea7n tr\u01b0\u1eddng \u0111\u1ed9 n\u1ed1t.
\nDiminunendo, dim :H\u00e1t nh\u1ecf, \u00eam d\u1ea7n
\nDolce :H\u00e1t m\u1ed9t c\u00e1ch ng\u1ecdt ng\u00e0o (sweetly)
\nDolcissimo :H\u00e1t m\u1ed9t c\u00e1ch r\u1ea5t ng\u1ecdt ng\u00e0o.
\nDolosoro :H\u00e1t m\u1ed9t c\u00e1ch bu\u1ed3n s\u1ea7u (sadly, mournfully)
\nDuet :Hai ng\u01b0\u1eddi h\u00e1t
\nEncore :L\u1eadp l\u1ea1i hay ch\u01a1i th\u00eam \u1edf cu\u1ed1i b\u00e0i h\u00e1t.
\nEspressivo :H\u00e1t m\u1ed9t c\u00e1ch truy\u1ec1n c\u1ea3m (expressively)
\nFermata :K\u00fd hi\u1ec7u vi\u1ebft tr\u00ean n\u1ed1t nh\u1ea1c (gi\u1ed1ng con m\u1eaft) d\u00f9ng \u0111\u1ec3 ng\u00e2n d\u00e0i.
\nFestivo, festoso :H\u00e1t m\u1ed9t c\u00e1ch vui v\u1ebb (festive, merry)
\nFinale :\u0110\u1ecdan cu\u1ed1i c\u00f9ng
\nFine :H\u1ebft
\nGlissando :vu\u1ed1t (ph\u00edm \u0111\u00e0n)
\nGracia :Vui v\u1ebb
\nGrave :Ch\u1eadm, bu\u1ed3n
\nInterlude :Kh\u00fac d\u1ea1o \u0111\u1ec3 chuy\u1ec3n b\u00e8, chuy\u1ec3n \u0111o\u1ea1n
\nLacrimoso :H\u00e1t m\u1ed9t c\u00e1ch bu\u1ed3n s\u1ea7u, kh\u00f3c l\u00f3c (tearful, mournful)
\nLamento :H\u00e1t m\u1ed9t c\u00e1ch bu\u1ed3n s\u1ea7u
\nLangsam :H\u00e1t ch\u1eadm
\nLargetto: H\u00e1t ch\u1eadm h\u01a1n largo
\nLargo :H\u00e1t r\u1ea5t ch\u1eadm
\nLegato :H\u00e1t m\u1ed9t c\u00e1ch \u00eam \u00e1i v\u00e0 li\u00ean t\u1ee5c
\nLeggiero :H\u00e1t m\u1ed9t c\u00e1ch nh\u1eb9 nh\u00e0ng, vui v\u1ebb
\nLento :H\u00e1t m\u1ed9t c\u00e1ch ch\u1eadm ch\u1ea1p, nh\u01b0ng nhanh h\u01a1n largo v\u00e0 ch\u1eadm h\u01a1n adagio
\nLiberamento :H\u00e1t m\u1ed9t c\u00e1ch t\u1ef1 do (freely)
\nMedesimo: Gi\u1ed1ng nhau (the same)
\nMeno :\u00cdt h\u01a1n
\nMeno mosso: \u00edt c\u1eed \u0111\u1ed9ng h\u01a1n (less motion)
\nMetronome: M\u1ed9t d\u1ee5ng c\u1ee5 \u0111\u1ec3 gi\u1eef nh\u1ecbp. N\u1ebfu M.M. 60, ngh\u0129a l\u00e0 m\u1ed7i h\u00e1t 60 ph\u00e1ch m\u1ed7i ph\u00fat
\nMezzo :Kho\u1ea3ng gi\u1eefa, trung b\u00ecnh
\nMezzo Alto :Gi\u1ecdng trung b\u00ecnh c\u1ee7a b\u00e8 n\u1eef.
\nMezzo forte, mf :M\u1ea1nh v\u1eeba
\nMezzo piano, mp :Nh\u1eb9 v\u1eeba
\nMisterioso :M\u1ed9t c\u00e1ch th\u1ea7n b\u00ed (misteriously)
\nModerato :H\u00e1t v\u1edbi t\u1ed1c \u0111\u1ed9 trung b\u00ecnh
\nMorendo Very Happy\u1ea7n d\u1ea7n h\u00e1t nh\u1eb9 l\u1ea1i (dying away)
\nMosso :Nhanh
\nOctave :hai n\u1ed1t c\u00f9ng t\u00ean, c\u00e1ch nhau m\u1ed9t qu\u00e3ng 8 (hay 12 c\u00e1i half steps)
\nOttava :M\u1ed9t Octava
\nOttava alta (8va) :1 octave cao h\u01a1n
\nOttave bassa (8va, 8vb): 1 Octave th\u1ea5p h\u01a1n
\nPacato :Im l\u1eb7ng (calm, quiet)
\nPausa :Ngh\u1ec9 (a rest)
\nPetite :Nh\u1ecf
\nPeu a Peu :T\u1eebng \u00edt m\u1ed9t
\nPianissimo, pp :R\u1ea5t \u00eam
\nPianississimo, ppp :\u00cam v\u00f4 c\u00f9ng
\nPiano, p: \u00cam
\nPiu :Nhi\u1ec1u h\u01a1n (more)
\nPoco :M\u1ed9t \u00edt
\nPoco ced., Cedere :Ch\u1eadm h\u01a1n m\u1ed9t \u00edt
\npoco piu mosso :Chuy\u1ec3n \u0111\u1ed9ng nhi\u1ec1u h\u01a1n m\u1ed9t ch\u00fat
\nPoi: sau \u0111\u00f3 (then)
\nPostlude :B\u00e0i d\u1ea1o sau l\u1ec5
\nPrelude :B\u00e0i d\u1ea1o \u0111\u1ea7u l\u1ec5
\nPrelude :Nh\u1ea1c d\u1ea1o (ch\u01a1i tr\u01b0\u1edbc)
\nPrestissimo :R\u1ea5t, r\u1ea5t nhanh
\nPresto :R\u1ea5t nhanh
\nQuasi :H\u1ea7u h\u1ebft (almost)
\nRallentando, rall :Ch\u1eadm d\u1ea7n l\u1ea1i, nh\u01b0 ch\u1eef Ritardando
\nRapide :Nhanh
\nRinforzando Very Happy\u1ea5u nh\u1ea5n
\nRitardando, rit :Ch\u1eadm l\u1ea1i d\u1ea7n
\nRitenuto :Gi\u1ea3ng t\u1ed1c \u0111\u1ed9 ngay
\nRubato :Nh\u1ecbp l\u01a1i
\nSanft :Nh\u1eb9 nh\u00e0ng (soft, gentle)
\nSans :Kh\u00f4ng c\u00f3 (without)
\nSegno Very Happy\u1ea5u h\u1ed3i \u0111o\u1ea1n (nh\u01b0 ch\u1eef S)
\nSemplice :\u0110\u01a1n gi\u1ea3n (simple)
\nSempre :Lu\u00f4n lu\u00f4n, th\u00ed d\u1ee5: Sempre staccato
\nSenza: Kh\u00f4ng c\u00f3 (without)
\nSereno :B\u00ecnh th\u1ea3n (peaceful)
\nSforzando, sfz, sf :Nh\u1ea5n bu\u00f4ng, nh\u1ea5n m\u1ea1nh tr\u00ean n\u1ed1t m\u1ed9t c\u00e1ch b\u1ea5t \u01b0ng
\nSimile :Gi\u1ed1ng nhau
\nSinistra :Trai tr\u00e1i (left hand)
\nSino :M\u00e3i t\u1edbi khi (until)
\nSmorzando :T\u1eaft l\u1ecbm d\u1ea7n (fading away)
\nSoave :Ng\u1ecdt ng\u00e0o (sweet, mild)
\nSognando :M\u1ed9t c\u00e1ch m\u01a1 m\u00e0ng (dreamily)
\nSolo :H\u00e1t m\u1ed9t m\u00ecnh
\nSoprano :Gi\u1ecdng cao nh\u1ea5t c\u1ee7a b\u00e8 n\u1eef.
\nSostenuto: K\u00e9o d\u00e0i n\u1ed1t
\nSpiccato :H\u00e1t t\u00e1ch r\u1eddi (kh\u00e1c v\u1edbi legato)
\nStesso :Gi\u1ed1ng nhau (same)
\nSubito :M\u1ed9t c\u00e1ch th\u00ecnh l\u00ecnh (suddenly)
\nSur :Tr\u00ean (on, over)
\nSvelto :Nhanh (quick, light)
\nTanto :Nhi\u1ec1u
\nTempo :Nh\u1ecbp v\u1eadn
\nTempo primo :Tr\u1edf v\u1ec1 nh\u1ecbp v\u1eadn \u0111\u1ea7u
\nTeneramente: Nh\u1eb9 nh\u00e0ng (tenderly)
\nTenore :Gi\u1ecdng cao nh\u1ea5t c\u1ee7a b\u00e8 nam.
\nTenuto, ten :Gi\u1eef n\u1ed1t l\u00e2u h\u01a1n b\u00ecnh th\u01b0\u1eddng (nh\u01b0ng kh\u00f4ng l\u00e2u b\u1eb1ng fermata)
\nTosto :Nhanh (quick)
\nTranquillo :Im l\u1eb7ng
\nTre: 3
\nTrills :Rung (h\u00e1t thay \u0111\u1ed5i t\u1eeb n\u1ed1t ch\u00ednh l\u00ean m\u1ed9t hay n\u1eeda cung m\u1ed9t c\u00e1ch li\u00ean t\u1ee5c)
\nTroppo :Q\u00faa nhi\u1ec1u
\nTutti :T\u1ea5t c\u1ea3 (all)
\nUn Peu: M\u1ed9t \u00edt (a little)
\nUn poco :M\u1ed9t \u00edt (a little)
\nUna corda soft pedal
\nVibrato :Rung
\nVivace :H\u00e1t m\u1ed9t c\u00e1ch ho\u1ea1t b\u00e1t, linh \u0111\u1ed9ng
\nVolti subito :Gi\u1edf trang th\u1eadt nhanh
\nVrescendo :H\u00e1t l\u1edbn d\u1ea7n l\u00ean <\/p>\n\n
A piacere :(gi\u1ed1ng nh\u01b0 ch\u1eef “ad libitum”), di\u1ec5n t\u1ea3 t\u1ef1 do A tempo :Tr\u1edf v\u1ec1 nh\u1ecbp v\u1eadn c\u0169 Acelerando, accel.: H\u00e1t d\u1ea7n d\u1ea7n nhanh h\u01a1n Ad libitum, ad lib :Cho ph\u00e9p ng\u01b0\u1eddi h\u00e1t d\u00f9ng tempo (nh\u1ecbp v\u1eadn) t\u00f9y \u00fd (c\u00f3 hay kh\u00f4ng c\u00f3 nh\u1ea1c \u0111\u1ec7m). :\u0110\u1ed3ng ngh\u0129a v\u1edbi ch\u1eef “A piacere” Adagio Ch\u1eadm, ch\u1eadm h\u01a1n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[32],"builder_content":"","_links":{"self":[{"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/posts\/1568"}],"collection":[{"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/comments?post=1568"}],"version-history":[{"count":1,"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/posts\/1568\/revisions"}],"predecessor-version":[{"id":1569,"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/posts\/1568\/revisions\/1569"}],"wp:attachment":[{"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/media?parent=1568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/categories?post=1568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/home.mautam.org\/weeklysongs\/wp-json\/wp\/v2\/tags?post=1568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}